Sonically Epic: I received an email alerting me to the upcoming release of a new Sigur Rós album. I’m excited by the news, and I’ve been playing their older albums almost nonstop since. Whether you’re familiar with the Icelandic art-rock band or not, you’ve probably heard their music. It’s often featured in film soundtracks, and rightfully so. Their music is lush and atmospheric. Even though their songs lyrics are never sung in English, powerful emotions are conveyed to the listener with a language that is beyond mere words.

Many of Sigur Rós’s songs are like miniature epics. Hoppípolla, one of their best known pieces, is a good example. It starts with a restrained but subtle urgency and builds to dramatic and joyous crescendo before fading with a cathartic sorrow. It leaves you feeling… something. I’m sure that something is different for every listener.

Epic Pondering: And so it was that I spent the week considering the next steps on my journey toward publication to a backing soundtrack of Sigur Rós. The music got me thinking in a new light. Like a Sigur Rós piece, my trilogy is designed to be an epic. An epic, by definition, is a long-form narrative about the life and deeds of a hero(ine) or heroes. Because of a series of helpful rejections from literary agents, and advice from my editor (the fabulous Cathy Yardley) and my writer-friend/beta readers (thanks WU Mod Squad!), I am considering lopping off the front quarter of book one of the trilogy. This in the service of getting the reader into the action sooner, closer to the inciting incident. I understand the whys of the advice, and I’m grateful for it. The whole thing just has me wondering about patience in this immediate gratification world.

My Epic Reading History: Many of my favorite books are sweeping historical epics. They introduce you to the hero(ine) or heroes early in life, and build with a restrained urgency. They incorporate lush atmospherics. Many don’t offer up an inciting incident for many long chapters. I’m thinking of books like the Mists of Avalon by Marion Zimmer Bradley, in which we meet Morgaine’s mother, Igraine first. We learn all about the atmosphere of Cornwall and the vacuum in the politics of the Britons caused by the withdrawal of the Romans. The first of the story from the primary protagonist’s (Morgaine’s) point of view comes in chapter nine.

Another that comes to mind is Kushiel’s Dart, by Jacqueline Carey. We are introduced to Carey’s heroine basically at birth. Phèdre narrates (in an incredibly powerful and unique first person voice) her own life’s story as she’s raised in the Night Court and introduced to the ways of Service to Naamah. Phèdre doesn’t move into the home of her patron Anafiel Delaunay until chapter six. And her introduction to the intrigues of the royal court, and her introduction to and involvement with her nemesis Melisande, proceeds from there. Many other books spring to mind—The Far Pavilions, The Thorn Birds, to name a few more—but I’m sure you get the idea.

Write What You Want to Read: It’s all I set out to do. I can’t get enough of epic historicals, fantasy or otherwise. And I still feel good that in the epic culture clash of the Germanic Tribes versus the Roman Empire, I have a unique setting and conflict foundation. But, in light of my situation, I’m questioning whether there is still room in the world for epics. Don’t get me wrong, I understand that the story must be compelling from the first page. Every note of a Sigur Rós song draws you in, leads you on the journey. Every sentence uttered by Phèdre no Delaunay delivers intriguing atmosphere. This is the type of story I wanted to tell in Legacy of Broken Oaths. I wanted to begin with the meeting of my hero and heroine, hoping their being forced together, entwined by a destiny foreseen by their grandsires, who died long before they were born, would be intriguing to readers. I had hoped that I could create an atmosphere that drew readers in to a world of mysticism, political posturing, and looming war.

It’s on me: Then again, perhaps it’s not that the patience for epics is gone. Sigur Rós may never sell as many records as Lady Gaga, or even Adele, but they are internationally renowned. Jacqueline Carey’s historical fantasies may not always make the NYT bestseller list, but she had success with a whole new epic trilogy (Naamah’s Kiss, Blessing & Curse) set in Phèdre’s  world of Terre d’Ange, but which tells the tale of a new heroine (Moirin mac Fainche) who lives several generations later. And one has only to go to her facebook page to see that her fan-base is loyal and vocal.

It’s worth it: Perhaps I simply have yet to create the necessary intrigue. I understand that atmospherics aren’t enough. Perhaps I just haven’t struck the resonant notes needed to draw readers in quickly enough. I’m honored by the praise of many beta readers who have read on past the opening, and who have told me of their fondness for my characters and for the story. But I realize, whether I lop off the front or not, I’ve got to get them there. I’ve realized that it’s me who needs to be patient.

I’ve decided I’m up for the challenge. I’ve decided the trilogy is worth the effort. I’ve come this far, and I’m willing to continue to strive, for as long as it takes. I have the patience to read and listen to epics. Now I need to strive for the patience to perfect my own epic.

What about you? Do you have any favorite epic historicals? Is there still room in your reading or listening life for the longer form?