Lucky 7 Meme

As Sam Cooke famously sang, “It’s been a long time coming.” For several things, actually. It seems like ages ago that Therese Walsh tagged me for the Lucky 7 Meme. And it’s been even longer since I did a blog post. I was just out of the box on blogging, and…Boom! Had a relapse of my radial tunnel syndrome. But I’m not here to whine, and I am feeling much better. Thanks to all of you who’ve sent me well-wishes through the last few weeks.

Anyway, if you aren’t already familiar, the rules are as follows:

  1. Go to page 7 or 77 in your current manuscript
  2. Go to line 7
  3. Copy down the next seven lines/sentences as they are – no cheating
  4. Tag 7 other authors

Mine are from my most recent manuscript, The Severing Son, which is a prequel to my trilogy.  It’s the story of the trilogy’s primary protagonist Thaedan’s father, Vahldan. Here Vahldan is meeting Thaedan’s maternal grandfather–Thadmeir, the Wulthus clan chieftain–for the first time:

“My Lord, it is not my place to question my queen. I care only that she bid us to seek you, and you alone.” Icannes tilted her head and waited. The others cast their eyes to the floor as well; all but the eldest boy, whose defiant eyes remained locked on his.

Thadmeir rose, stepping down from the dais to stand before the son of his brother’s killer. He was chagrinned to see that the young man was already as tall as he, and perhaps even outweighed him. Has it really been so long, that the product of that despicable union is nigh a man already?


So now I’ve got to find seven to tag who haven’t already been through this. My apologies if you have. Everyone else, please check these guys out. They’re all wonderful tribe-mates.

The next victims are:

*Kim Downes Bullock

*Valerie P. Chandler

*Denise Falvo

*Susannah Friis

*Bernadette Phipps Lincke

*Kathryn Magendie

*Jeannine Walls Thibodeau

No pressure to play. You can do your own post, but I know some of those I’m tagging don’t blog. So you can put your seven lines in the comments here, put them in the comments to the facebook link, or keep your seven to yourself until release day. It’s up to you. Whatever you choose, may the odds be ever in your favor. I do plan on posting a few blogs in the near future, so please stay tuned.

Rooting for Romance

I recently finished reading my friend Kristina McMorris’s beautiful, page-turning second novel, Bridge of Scarlet Leaves. I told Kris I wanted to write a review to post on Goodreads and Amazon. The book is powerful and really left me thinking, so I thought I’d go a bit deeper here.

It would’ve been easy for any author to lose sight of the importance of characters when dealing with a setting so monumental as World War II, and plot elements such as interracial relationships and the internment of Japanese-Americans during the war. These are topics that would’ve consumed the focus of many a fine writer. The temptation would be to use a broad brush, to put the readers’ wide-lens focus on the issues, and the result would often be to have wooden characters enacting formulaic plotting to demonstrate the horrors/injustices/tragedy of war and its repercussions.

Kris has a deft touch when it comes to WWII, and the depth of her research and her compassion for the topic come through in her every description of the home front, war zones, and even intense combat action sequences. She knows her stuff, and it shows. But in Bridge her historical acumen serves as shading and nuance for what is a genuinely human story, played out by well-developed characters.

At its core, Bridge is a love story. It’s the story of Maddie—a young Caucasian woman—and Lane—the son of immigrant Japanese-Americans—and what they are willing to sacrifice, not only for their love for one another, but for their love of their families, their country, and for honor. Kris not only provides a tight focus on her believable characters, she makes Lane’s and Maddie’s love for one another believable by giving each of them depth of experience—their own set of skills, achievement, strengths and weaknesses.

All too often in stories we are asked to believe in a deep romantic attraction and its resulting bond without any reason given for us to do so. All too often we are only shown one side of a literary romance, with all the requisite longing and angst deriving just from the main character’s physical attraction or stated love of their counterpart. Often the love interest has few or no qualities we can imagine would warrant the main character’s interest or longing. When obstacles to romance occur, often they are based on flimsy misunderstandings, or one character’s sudden bout of shallowness or newly obtuse viewpoint.

None of this occurs with Lane and Maddie. Each of them is capable. Each of them shows remarkable resilience, loyalty, and dedication—not only to one another, but to big picture issues, like family and community. We come to know and respect each of them, and therefore not only applaud their love but root for it. We can see for ourselves why they would love each other so, and why they would sacrifice as they each do throughout the tale.

This is something I strive for in my own work. A lot of historical fantasy is painted with that same broad brush, so eager to show off the world-building or big picture elements of the protagonists’ war with some overwhelming evil. I have a big picture conflict, but I wanted a tighter focus on character. I came to realize my own story would hinge on the believability of my two primary protagonists’ love for one another. When you are building something as big as a trilogy, brick by brick, laying a story that spans decades and traverses empires, you’d better be sure you have a strong foundation. I know now my foundation is the bond between Ainsela and Thaedan. I’ve tried to make each of them capable and yet fallible in order to be believable, for their love to be believable. I’ll need readers to come to know and care about them as individuals in order to have them rooting for their love. Without the believability of their loyalty, dedication, and willingness to sacrifice, not only for their love for one another, but for family, nation, and honor, my story becomes just another broad-brush fantasy–just a sequence of related events. No matter how spectacular those events are, it’s the characters and their interrelationships that give them significance and make them memorable.

I can only continue to strive and hope I prove worthy of the example set by Kristina McMorris in Bridge of Scarlet Leaves. Bravo, Kris! You are an inspiration.

What about you? What character traits and elements do you need to make a romantic relationship believable? What makes you root for a romance?